Have a SEAT on Stage : Restoring Trust ...
Document type :
Autre communication scientifique (congrès sans actes - poster - séminaire...): Communication dans un congrès avec actes
DOI :
Title :
Have a SEAT on Stage : Restoring Trust with Spectator Experience Augmentation Techniques
Author(s) :
Capra, Olivier [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Berthaut, Florent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Grisoni, Laurent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Berthaut, Florent [Auteur]

Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Grisoni, Laurent [Auteur]

Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Conference title :
Designing Interactive Systems (DIS)
City :
Eindhoven
Country :
Pays-Bas
Start date of the conference :
2020-07-06
English keyword(s) :
interactions
spectator experience
visual augmentations
design for public interactions
human machine collaboration
Controlled study
spectator experience
visual augmentations
design for public interactions
human machine collaboration
Controlled study
HAL domain(s) :
Informatique [cs]/Interface homme-machine [cs.HC]
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Sciences cognitives/Informatique
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Sciences cognitives/Informatique
English abstract : [en]
When the collaboration between humans and machines happens in public, the audience can face difficulties in distinguishing the actual human contribution from the contribution of autonomous processes. In music concerts ...
Show more >When the collaboration between humans and machines happens in public, the audience can face difficulties in distinguishing the actual human contribution from the contribution of autonomous processes. In music concerts involving digital interfaces doubts about the performer's contribution can drastically hinder the audience interest. The disappearing of the direct physical link between actions and effects is one of the reasons of this confusion. Consequently both artists and researchers have explored techniques to augment the experience of spectators. However their respective impact on the multiple aspects of audience experience has not yet been formally compared. In this controlled study, we compare two techniques : pre-performance explanations and visual augmentations. Despite contradictory results on comprehension tasks, we show that contrary to pre-performance explanations, visual augmentations improve the audience experience, increase their subjective comprehension and restore the trust in performers by reversing the doubt in their favour.Show less >
Show more >When the collaboration between humans and machines happens in public, the audience can face difficulties in distinguishing the actual human contribution from the contribution of autonomous processes. In music concerts involving digital interfaces doubts about the performer's contribution can drastically hinder the audience interest. The disappearing of the direct physical link between actions and effects is one of the reasons of this confusion. Consequently both artists and researchers have explored techniques to augment the experience of spectators. However their respective impact on the multiple aspects of audience experience has not yet been formally compared. In this controlled study, we compare two techniques : pre-performance explanations and visual augmentations. Despite contradictory results on comprehension tasks, we show that contrary to pre-performance explanations, visual augmentations improve the audience experience, increase their subjective comprehension and restore the trust in performers by reversing the doubt in their favour.Show less >
Language :
Anglais
Peer reviewed article :
Oui
Audience :
Internationale
Popular science :
Non
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