A Design Workbench for Interactive Music Systems
Type de document :
Partie d'ouvrage
Titre :
A Design Workbench for Interactive Music Systems
Auteur(s) :
Malloch, Joseph [Auteur]
Dalhousie University [Halifax]
Garcia, Jérémie [Auteur]
Ecole Nationale de l'Aviation Civile [ENAC]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Technology and knowledge for interaction [LOKI]
Mackay, Wendy [Auteur]
Extreme Interaction [EX-SITU]
Beaudouin-Lafon, Michel [Auteur]
Extreme Interaction [EX-SITU]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Dalhousie University [Halifax]
Garcia, Jérémie [Auteur]
Ecole Nationale de l'Aviation Civile [ENAC]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Technology and knowledge for interaction [LOKI]
Mackay, Wendy [Auteur]
Extreme Interaction [EX-SITU]
Beaudouin-Lafon, Michel [Auteur]
Extreme Interaction [EX-SITU]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Éditeur(s) ou directeur(s) scientifique(s) :
Simon Holland
Tom Mudd
Katie Wilkie-McKenna
Andrew McPherson
Marcelo M. Wanderley
Tom Mudd
Katie Wilkie-McKenna
Andrew McPherson
Marcelo M. Wanderley
Titre de l’ouvrage :
New Directions in Music and Human-Computer Interaction
Éditeur :
Springer
Date de publication :
2019-02-07
ISBN :
978-3-319-92068-9
Mot(s)-clé(s) en anglais :
Computer
Human - Computer Interaction
MIDWAY
Musical interaction
Human - Computer Interaction
MIDWAY
Musical interaction
Discipline(s) HAL :
Informatique [cs]/Interface homme-machine [cs.HC]
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Résumé en anglais : [en]
This chapter discusses possible links between the fields of computer music and human-computer interaction (HCI), particularly in the context of the MIDWAY project between Inria, France and McGill University, Canada. The ...
Lire la suite >This chapter discusses possible links between the fields of computer music and human-computer interaction (HCI), particularly in the context of the MIDWAY project between Inria, France and McGill University, Canada. The goal of MIDWAY is to construct a “musical interaction design workbench” to facilitate the exploration and development of new interactive technologies for musical creation and performance by bringing together useful models, tools, and recent developments from computer music and HCI. Such models and tools can expand the means available for musical expression, as well as provide HCI researchers with a better foundation for the design of tools for a class of “extreme” users who are accustomed to devoting decades of practice towards the development of expertise with their instruments. We conclude with a discussion of design guidelines for Interactive Music Systems.Lire moins >
Lire la suite >This chapter discusses possible links between the fields of computer music and human-computer interaction (HCI), particularly in the context of the MIDWAY project between Inria, France and McGill University, Canada. The goal of MIDWAY is to construct a “musical interaction design workbench” to facilitate the exploration and development of new interactive technologies for musical creation and performance by bringing together useful models, tools, and recent developments from computer music and HCI. Such models and tools can expand the means available for musical expression, as well as provide HCI researchers with a better foundation for the design of tools for a class of “extreme” users who are accustomed to devoting decades of practice towards the development of expertise with their instruments. We conclude with a discussion of design guidelines for Interactive Music Systems.Lire moins >
Langue :
Anglais
Audience :
Internationale
Vulgarisation :
Non
Collections :
Source :
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