Between Nature, Anatomy and Art: Crispijn ...
Document type :
Article dans une revue scientifique: Article original
Permalink :
Title :
Between Nature, Anatomy and Art: Crispijn de Passe's Manual for Drawing Animals
Author(s) :
Maës, Gaëtane [Auteur]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529

Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529
Journal title :
Print Quarterly
Pages :
267-282
Publisher :
Print Quarterly Publications
Publication date :
2020-09
ISSN :
0265-8305
Keyword(s) :
Low Countries
Seventeenth-century
Drawing teaching
Print-book
Seventeenth-century
Drawing teaching
Print-book
HAL domain(s) :
Sciences de l'Homme et Société/Art et histoire de l'art
French abstract :
Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the ...
Show more >Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the manual dealt with drawing the human figure but, uniquely, the author added a section exclusively devoted to depicting animals. While it was based on sciences such as geometry and perspective, which had been widely used since the Renaissance, it also drew upon animal anatomy and osteology, fields that had been less explored. This article shows that De Passe combined long-standing teaching principles with the most up-to-date scientific literature. His attempt to establish a dialogue between art and science had only a limited impact because of the complexity of the method and the cost of the book.Show less >
Show more >Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the manual dealt with drawing the human figure but, uniquely, the author added a section exclusively devoted to depicting animals. While it was based on sciences such as geometry and perspective, which had been widely used since the Renaissance, it also drew upon animal anatomy and osteology, fields that had been less explored. This article shows that De Passe combined long-standing teaching principles with the most up-to-date scientific literature. His attempt to establish a dialogue between art and science had only a limited impact because of the complexity of the method and the cost of the book.Show less >
Language :
Anglais
Audience :
Internationale
Popular science :
Non
Administrative institution(s) :
CNRS
Université de Lille
Université de Lille
Submission date :
2021-04-02T13:30:39Z