Making Mappings: Design Criteria for Live ...
Type de document :
Communication dans un congrès avec actes
Titre :
Making Mappings: Design Criteria for Live Performance
Auteur(s) :
West, Travis [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Technology and knowledge for interaction [LOKI]
Caramiaux, Baptiste [Auteur]
Institut des Systèmes Intelligents et de Robotique [ISIR]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Input Devices and Music Interaction Laboratory [IDMIL]
Technology and knowledge for interaction [LOKI]
Caramiaux, Baptiste [Auteur]
Institut des Systèmes Intelligents et de Robotique [ISIR]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Titre de la manifestation scientifique :
NIME 2021 - The International Conference on New Interfaces for Musical Expression
Ville :
Shanghai
Pays :
Chine
Date de début de la manifestation scientifique :
2021-06-14
Mot(s)-clé(s) en anglais :
mappings
evaluation
digital musical instruments
evaluation
digital musical instruments
Discipline(s) HAL :
Informatique [cs]/Interface homme-machine [cs.HC]
Informatique [cs]/Multimédia [cs.MM]
Informatique [cs]/Multimédia [cs.MM]
Résumé en anglais : [en]
We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic ...
Lire la suite >We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic analysis of participants' interview responses reveal some design criteria common to both groups of participants: mappings must manage the balance of control between the instrument and the player, and they should be easy to understand for the player and audience. We also consider several criteria that distinguish the two groups' evaluation strategies. We conclude with important discussion of the mapping designer's perspective, performance with gestural controllers, and the difficulties of evaluating mapping designs and musical instruments in general.Lire moins >
Lire la suite >We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic analysis of participants' interview responses reveal some design criteria common to both groups of participants: mappings must manage the balance of control between the instrument and the player, and they should be easy to understand for the player and audience. We also consider several criteria that distinguish the two groups' evaluation strategies. We conclude with important discussion of the mapping designer's perspective, performance with gestural controllers, and the difficulties of evaluating mapping designs and musical instruments in general.Lire moins >
Langue :
Anglais
Comité de lecture :
Oui
Audience :
Internationale
Vulgarisation :
Non
Commentaire :
The conference was held in a worldwide format (both online and at NYU Shanghai).
Collections :
Source :
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