Dai muri agli schermi: la vita digitale ...
Document type :
Article dans une revue scientifique: Article original
Title :
Dai muri agli schermi: la vita digitale degli artefatti pubblicitari
Author(s) :
De Iulio, Simona [Auteur]
Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 [GERIICO ]
Chevry Pébayle, Emmanuelle [Auteur]
Laboratoire Interuniversitaire des Sciences de l'Education et de la Communication [LISEC]
Leone, Fabiola [Auteur]
Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 [GERIICO ]

Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 [GERIICO ]
Chevry Pébayle, Emmanuelle [Auteur]
Laboratoire Interuniversitaire des Sciences de l'Education et de la Communication [LISEC]
Leone, Fabiola [Auteur]
Groupe d'Études et de Recherche Interdisciplinaire en Information et COmmunication - ULR 4073 [GERIICO ]
Journal title :
Mediascapes Journal
Publication date :
2017-08-01
ISSN :
2282-2542
HAL domain(s) :
Sciences de l'Homme et Société/Sciences de l'information et de la communication
English abstract : [en]
This article aims to reconstruct the cultural and “social biographies” (Kopytoff, 1986) of advertising artefacts. It wants to examine not so much the origins of advertising artefacts and the strategies of the professionals ...
Show more >This article aims to reconstruct the cultural and “social biographies” (Kopytoff, 1986) of advertising artefacts. It wants to examine not so much the origins of advertising artefacts and the strategies of the professionals who have created them, but rather the uses which have been made of them and the functions assigned to them over time. In particular, the central question of this contribution concerns the role of the professionals of heritage institutions in redefining the uses of advertising artefacts once they have been departed from their commercial target. Firstly, we analyse the process of creative circulation of advertising artefacts and the turning points which have conduct them to became cultural objects. Secondly, we illustrate the main results of two research projects on the digitization and new forms of circulation of advertising artefacts promoted by French and Italian heritage institutions.Show less >
Show more >This article aims to reconstruct the cultural and “social biographies” (Kopytoff, 1986) of advertising artefacts. It wants to examine not so much the origins of advertising artefacts and the strategies of the professionals who have created them, but rather the uses which have been made of them and the functions assigned to them over time. In particular, the central question of this contribution concerns the role of the professionals of heritage institutions in redefining the uses of advertising artefacts once they have been departed from their commercial target. Firstly, we analyse the process of creative circulation of advertising artefacts and the turning points which have conduct them to became cultural objects. Secondly, we illustrate the main results of two research projects on the digitization and new forms of circulation of advertising artefacts promoted by French and Italian heritage institutions.Show less >
Language :
Italien
Peer reviewed article :
Oui
Audience :
Non spécifiée
Popular science :
Non
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