"Il y eut une fille appelée Jeanne". ...
Document type :
Compte-rendu et recension critique d'ouvrage
Title :
"Il y eut une fille appelée Jeanne". Quelques notes sur Jeanne au bûcher de Rossellini
Author(s) :
Palombi, Melinda [Auteur]
Centre d'Études en Civilisations, Langues et Lettres Étrangères - ULR 4074 [CECILLE]
Centre d'Études en Civilisations, Langues et Lettres Étrangères - ULR 4074 [CECILLE]
Journal title :
K : Revue trans-européenne de philosophie et arts
Publisher :
Université de Lille
Publication date :
2023-12-11
ISSN :
2609-2484
English keyword(s) :
Jeanne d'Arc
Rossellini
Claudel
destituent
maiden
stars
Rossellini
Claudel
destituent
maiden
stars
HAL domain(s) :
Sciences de l'Homme et Société/Art et histoire de l'art
Sciences de l'Homme et Société/Histoire
Sciences de l'Homme et Société/Littératures
Sciences de l'Homme et Société/Histoire
Sciences de l'Homme et Société/Littératures
English abstract : [en]
This article attempts to study the links between the destituent impact of the life of the historical Joan of Arc, on the one hand, the multifaceted mythical figure with which she has been saddled, on the other, and finally ...
Show more >This article attempts to study the links between the destituent impact of the life of the historical Joan of Arc, on the one hand, the multifaceted mythical figure with which she has been saddled, on the other, and finally Rossellini's movie, Joan of Arc at the stake (1954). "Ci fu una fanciulla chiamata Giovanna": is the first line of this adaptation of the oratorio by Claudel and Honegger, as if to show from the outset the intention to return the heroine to her essential indeterminacy. Her naked humanity, but also her belonging to the cosmos, among the stars.Show less >
Show more >This article attempts to study the links between the destituent impact of the life of the historical Joan of Arc, on the one hand, the multifaceted mythical figure with which she has been saddled, on the other, and finally Rossellini's movie, Joan of Arc at the stake (1954). "Ci fu una fanciulla chiamata Giovanna": is the first line of this adaptation of the oratorio by Claudel and Honegger, as if to show from the outset the intention to return the heroine to her essential indeterminacy. Her naked humanity, but also her belonging to the cosmos, among the stars.Show less >
Language :
Français
Popular science :
Non
Source :
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