Armenian frescoes and sacred objects of ...
Document type :
Autre communication scientifique (congrès sans actes - poster - séminaire...): Communication dans un congrès sans actes
Permalink :
Title :
Armenian frescoes and sacred objects of art between the 17th and 19th centuries
Author(s) :
Laporte-Eftekharian, Sarah [Auteur]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Conference title :
The Armenian-Belarusian historical-cultural relations. Tradition and modernity
City :
Minsk
Country :
Biélorussie
Start date of the conference :
2015-05-21
Keyword(s) :
Gonfalon
Mitre
Michelangelo
M de Vos
Mitre
Michelangelo
M de Vos
English keyword(s) :
Armenian art
Religious painting
Western patterns
17th century
18th century
Altar cross
Saint Gayane monastery
Veronese
Religious painting
Western patterns
17th century
18th century
Altar cross
Saint Gayane monastery
Veronese
HAL domain(s) :
Sciences de l'Homme et Société/Art et histoire de l'art
English abstract : [en]
Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the ...
Show more >Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the help of some concrete examples from various artistic sources, the author describes the development of narrative contents in religious paintings in the New Julfa community and the dissemination of a renewed aesthetic expression towards the Armenian Diaspora in different countries.Show less >
Show more >Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the help of some concrete examples from various artistic sources, the author describes the development of narrative contents in religious paintings in the New Julfa community and the dissemination of a renewed aesthetic expression towards the Armenian Diaspora in different countries.Show less >
Language :
Anglais
Audience :
Internationale
Popular science :
Non
Administrative institution(s) :
Université de Lille
CNRS
CNRS
Submission date :
2019-02-13T08:01:39Z
2022-01-19T09:03:55Z
2022-01-19T09:03:55Z