Making Mappings: Design Criteria for Live ...
Document type :
Communication dans un congrès avec actes
Title :
Making Mappings: Design Criteria for Live Performance
Author(s) :
West, Travis [Auteur]
Technology and knowledge for interaction [LOKI]
Input Devices and Music Interaction Laboratory [IDMIL]
Caramiaux, Baptiste [Auteur]
Institut des Systèmes Intelligents et de Robotique [ISIR]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Technology and knowledge for interaction [LOKI]
Input Devices and Music Interaction Laboratory [IDMIL]
Caramiaux, Baptiste [Auteur]
Institut des Systèmes Intelligents et de Robotique [ISIR]
Huot, Stephane [Auteur]
Technology and knowledge for interaction [LOKI]
Wanderley, Marcelo [Auteur]
Input Devices and Music Interaction Laboratory [IDMIL]
Conference title :
NIME 2021 - The International Conference on New Interfaces for Musical Expression
City :
Shanghai
Country :
Chine
Start date of the conference :
2021-06-14
English keyword(s) :
mappings
evaluation
digital musical instruments
evaluation
digital musical instruments
HAL domain(s) :
Informatique [cs]/Interface homme-machine [cs.HC]
Informatique [cs]/Multimédia [cs.MM]
Informatique [cs]/Multimédia [cs.MM]
English abstract : [en]
We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic ...
Show more >We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic analysis of participants' interview responses reveal some design criteria common to both groups of participants: mappings must manage the balance of control between the instrument and the player, and they should be easy to understand for the player and audience. We also consider several criteria that distinguish the two groups' evaluation strategies. We conclude with important discussion of the mapping designer's perspective, performance with gestural controllers, and the difficulties of evaluating mapping designs and musical instruments in general.Show less >
Show more >We present new results combining data from a previously published study of the mapping design process and a new replication of the same method with a group of participants having different background expertise. Our thematic analysis of participants' interview responses reveal some design criteria common to both groups of participants: mappings must manage the balance of control between the instrument and the player, and they should be easy to understand for the player and audience. We also consider several criteria that distinguish the two groups' evaluation strategies. We conclude with important discussion of the mapping designer's perspective, performance with gestural controllers, and the difficulties of evaluating mapping designs and musical instruments in general.Show less >
Language :
Anglais
Peer reviewed article :
Oui
Audience :
Internationale
Popular science :
Non
Comment :
The conference was held in a worldwide format (both online and at NYU Shanghai).
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