The literary distortions of alchemy
Document type :
Partie d'ouvrage
Title :
The literary distortions of alchemy
Author(s) :
Scientific editor(s) :
Margareth Hagen and Margery Vibe Skagen
Book title :
Literature and Chemistry. Elective Affinities
Publisher :
Aarhus University Press
Publication place :
Aarhus
Publication date :
2013
ISBN :
978-87-7124-174-7
English keyword(s) :
alchemy
chemistry
Hawthorne
Meyrink
Yourcenar
chemistry
Hawthorne
Meyrink
Yourcenar
HAL domain(s) :
Sciences de l'Homme et Société/Histoire, Philosophie et Sociologie des sciences
Sciences de l'Homme et Société/Philosophie
Sciences de l'Homme et Société/Philosophie
English abstract : [en]
The historian of science is often surprised by representations of alchemists found in novels in the nineteenth and twentieth centuries. These strange and fascinating characters, often endowed with supernatural powers, offer ...
Show more >The historian of science is often surprised by representations of alchemists found in novels in the nineteenth and twentieth centuries. These strange and fascinating characters, often endowed with supernatural powers, offer a very interesting description which do not seem to correspond to what the alchemists in the sixteenth and seventeenth centuries really were. By drawing on three examples (The scarlet letter by Nathaliel Hawthorne, The angel at the western window by Gustav Meyrink and L’oeuvre au noir by Marguerite Yourcenar), I would like to analyse the causes and effects of these distortions which contributed to forge a modern and unreal image of alchemy.Show less >
Show more >The historian of science is often surprised by representations of alchemists found in novels in the nineteenth and twentieth centuries. These strange and fascinating characters, often endowed with supernatural powers, offer a very interesting description which do not seem to correspond to what the alchemists in the sixteenth and seventeenth centuries really were. By drawing on three examples (The scarlet letter by Nathaliel Hawthorne, The angel at the western window by Gustav Meyrink and L’oeuvre au noir by Marguerite Yourcenar), I would like to analyse the causes and effects of these distortions which contributed to forge a modern and unreal image of alchemy.Show less >
Language :
Anglais
Audience :
Internationale
Popular science :
Non
Collections :
Source :