Between Nature, Anatomy and Art: Crispijn ...
Type de document :
Article dans une revue scientifique: Article original
URL permanente :
Titre :
Between Nature, Anatomy and Art: Crispijn de Passe's Manual for Drawing Animals
Auteur(s) :
Maës, Gaëtane [Auteur]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529

Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529 [IRHiS]
Institut de Recherches Historiques du Septentrion (IRHiS) - UMR 8529
Titre de la revue :
Print Quarterly
Pagination :
267-282
Éditeur :
Print Quarterly Publications
Date de publication :
2020-09
ISSN :
0265-8305
Mot(s)-clé(s) :
Low Countries
Seventeenth-century
Drawing teaching
Print-book
Seventeenth-century
Drawing teaching
Print-book
Discipline(s) HAL :
Sciences de l'Homme et Société/Art et histoire de l'art
Résumé :
Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the ...
Lire la suite >Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the manual dealt with drawing the human figure but, uniquely, the author added a section exclusively devoted to depicting animals. While it was based on sciences such as geometry and perspective, which had been widely used since the Renaissance, it also drew upon animal anatomy and osteology, fields that had been less explored. This article shows that De Passe combined long-standing teaching principles with the most up-to-date scientific literature. His attempt to establish a dialogue between art and science had only a limited impact because of the complexity of the method and the cost of the book.Lire moins >
Lire la suite >Engraver and publisher Crispijn de Passe the Younger (1594\u20131670) published a drawing manual for amateurs in 1643 entitled 'The Light of the Art of Drawing and Painting'. In keeping with tradition, the bulk of the manual dealt with drawing the human figure but, uniquely, the author added a section exclusively devoted to depicting animals. While it was based on sciences such as geometry and perspective, which had been widely used since the Renaissance, it also drew upon animal anatomy and osteology, fields that had been less explored. This article shows that De Passe combined long-standing teaching principles with the most up-to-date scientific literature. His attempt to establish a dialogue between art and science had only a limited impact because of the complexity of the method and the cost of the book.Lire moins >
Langue :
Anglais
Audience :
Internationale
Vulgarisation :
Non
Établissement(s) :
CNRS
Université de Lille
Université de Lille
Date de dépôt :
2021-04-02T13:30:39Z