History and challenges of digital musicology ...
Type de document :
Communication dans un congrès avec actes
Titre :
History and challenges of digital musicology in Slovenia
Auteur(s) :
Stefanija, Leon [Auteur]
University of Ljubljana
Borsan, Vanessa Nina [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Algomus
Marolt, Matija [Auteur]
University of Ljubljana
Pesek, Matevž [Auteur]
University of Ljubljana
University of Ljubljana
Borsan, Vanessa Nina [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Algomus
Marolt, Matija [Auteur]
University of Ljubljana
Pesek, Matevž [Auteur]
University of Ljubljana
Titre de la manifestation scientifique :
Musicology and its future in times of crisis
Ville :
Zagreb
Pays :
Croatie
Date de début de la manifestation scientifique :
2020
Date de publication :
2022
Mot(s)-clé(s) en anglais :
digital musicology
ethnomusicology
music analysis
Slovenian music
digital libraries
ethnomusicology
music analysis
Slovenian music
digital libraries
Discipline(s) HAL :
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Informatique [cs]/Son [cs.SD]
Sciences de l'Homme et Société/Histoire
Informatique [cs]/Son [cs.SD]
Sciences de l'Homme et Société/Histoire
Résumé en anglais : [en]
The general aim of this article is to sketch the processes of understanding music as a set of phenomena intricately involved with the IT novelties within the Slovenian research community from the three basic perspectives ...
Lire la suite >The general aim of this article is to sketch the processes of understanding music as a set of phenomena intricately involved with the IT novelties within the Slovenian research community from the three basic perspectives of ethno/musicologist, librarian (essential when approaching music computationally), and IT. It assesses what these perspectives have brought to the understanding of music, but more importantly indicates thatthe three perspectives are not arbitrary. Together they form digital musicology in Slovenia. First, it lays out the Slovenian contributions to e-music research, and illustrates academic specificities, both Slovenian and global. Lastly, the article offers some thoughts on current academic challenges and reflects on possible solutions.Lire moins >
Lire la suite >The general aim of this article is to sketch the processes of understanding music as a set of phenomena intricately involved with the IT novelties within the Slovenian research community from the three basic perspectives of ethno/musicologist, librarian (essential when approaching music computationally), and IT. It assesses what these perspectives have brought to the understanding of music, but more importantly indicates thatthe three perspectives are not arbitrary. Together they form digital musicology in Slovenia. First, it lays out the Slovenian contributions to e-music research, and illustrates academic specificities, both Slovenian and global. Lastly, the article offers some thoughts on current academic challenges and reflects on possible solutions.Lire moins >
Langue :
Anglais
Comité de lecture :
Oui
Audience :
Internationale
Vulgarisation :
Non
Collections :
Source :
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- Digital-Musicology-Slovenia.pdf
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