Renewed Orientations for the History of ...
Type de document :
Article dans une revue scientifique: Article original
URL permanente :
Titre :
Renewed Orientations for the History of Transnational Music Mobility in the Age of Enlightenment
Auteur(s) :
Titre de la revue :
Artigrama
Numéro :
36
Titre du fascicule / de la collection :
Internacionalización, movilidad y circulación de la música (ed. by Juan José Carreras and María Cáceres-Piñuel)
Pagination :
p. 87-113
Date de publication :
2022-12-09
Mot(s)-clé(s) en anglais :
Agency
Celebrity
Gender studies
Global History
Innovation
Networks
Celebrity
Gender studies
Global History
Innovation
Networks
Discipline(s) HAL :
Sciences de l'Homme et Société/Histoire
Résumé en anglais : [en]
Since the appearance in 1996 of Artigrama’s issue nº 12, there has been a considerable expansion of historical studies of musicians’ mobility during the 18th century. They have established close links between music history ...
Lire la suite >Since the appearance in 1996 of Artigrama’s issue nº 12, there has been a considerable expansion of historical studies of musicians’ mobility during the 18th century. They have established close links between music history and the micro-history of migratory and diasporic phenomena, the history of networks and the history of cultural mediation. These analytical and documentary updates have been fuelled by a growing dialogue between the social history of performance and other areas of research, especially concerning connected and global history, women’s and gender history and the history of science and technology. In this historiographic framework, the operating concepts of ‘privileged migrants’, ‘agency’ and ‘innovation’ enrich our understanding of the timescales and geographical horizons appropriate to the different performers’ careers, the gender norms and transgressions at work in long-distance and long-term mobility plans, and also the cultural and technical transfers driving the music market and the circulation of musical instruments, that increasingly integrate colonial and non-European spaces.Lire moins >
Lire la suite >Since the appearance in 1996 of Artigrama’s issue nº 12, there has been a considerable expansion of historical studies of musicians’ mobility during the 18th century. They have established close links between music history and the micro-history of migratory and diasporic phenomena, the history of networks and the history of cultural mediation. These analytical and documentary updates have been fuelled by a growing dialogue between the social history of performance and other areas of research, especially concerning connected and global history, women’s and gender history and the history of science and technology. In this historiographic framework, the operating concepts of ‘privileged migrants’, ‘agency’ and ‘innovation’ enrich our understanding of the timescales and geographical horizons appropriate to the different performers’ careers, the gender norms and transgressions at work in long-distance and long-term mobility plans, and also the cultural and technical transfers driving the music market and the circulation of musical instruments, that increasingly integrate colonial and non-European spaces.Lire moins >
Langue :
Anglais
Comité de lecture :
Oui
Audience :
Internationale
Date de dépôt :
2023-08-22T10:45:31Z
2023-08-29T07:18:55Z
2023-08-29T07:18:55Z
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- Artigrama TRAVERSIER 36.pdf
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