“Natar giova tra’ nembi”: lo spazio acquatico ...
Type de document :
Partie d'ouvrage
Titre :
“Natar giova tra’ nembi”: lo spazio acquatico nell’Ultimo canto di Saffo
Auteur(s) :
Palombi, Melinda [Auteur]
Centre d'Études en Civilisations, Langues et Lettres Étrangères - ULR 4074 [CECILLE]
Centre d'Études en Civilisations, Langues et Lettres Étrangères - ULR 4074 [CECILLE]
Titre de l’ouvrage :
2021, Declinazioni dello spazio nell'opera di Giacomo Leopardi. Tra letteratura e scienza, a cura di Antonella Del Gatto e Patrizia Landi, Milano, LED, Collana "Il Segno e le Lettere"
Date de publication :
2021-09-01
ISBN :
978-88-7916-971-4
Mot(s)-clé(s) en anglais :
Sappho
Discipline(s) HAL :
Sciences de l'Homme et Société/Littératures
Sciences de l'Homme et Société/Philosophie
Sciences de l'Homme et Société/Philosophie
Résumé en anglais : [en]
The references to the liquid element in The Last Song of Sappho are numerous and by no means accidental, to the extent that Leopardi seems to present the liquid dimension as an integral, and even necessary, part of the ...
Lire la suite >The references to the liquid element in The Last Song of Sappho are numerous and by no means accidental, to the extent that Leopardi seems to present the liquid dimension as an integral, and even necessary, part of the beauty of Nature from which the poetess feels excluded. A rereading of the canto under the sign of water reveals the poetic coherence of Leopardi's choice to represent his Sappho in a liquid space that refuses to accept her. Even if through a game of ambiguity based on numerous double meanings, the poet’s insistence is equivalent, in our opinion, to the construction of a further level of meaning in the composition in which Sappho's desire for Nature is expressed as a desire and aspiration for the liquid dimension.Lire moins >
Lire la suite >The references to the liquid element in The Last Song of Sappho are numerous and by no means accidental, to the extent that Leopardi seems to present the liquid dimension as an integral, and even necessary, part of the beauty of Nature from which the poetess feels excluded. A rereading of the canto under the sign of water reveals the poetic coherence of Leopardi's choice to represent his Sappho in a liquid space that refuses to accept her. Even if through a game of ambiguity based on numerous double meanings, the poet’s insistence is equivalent, in our opinion, to the construction of a further level of meaning in the composition in which Sappho's desire for Nature is expressed as a desire and aspiration for the liquid dimension.Lire moins >
Langue :
Italien
Audience :
Internationale
Vulgarisation :
Non
Source :
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