A Taxonomy of Spectator Experience ...
Document type :
Autre communication scientifique (congrès sans actes - poster - séminaire...): Communication dans un congrès avec actes
Title :
A Taxonomy of Spectator Experience Augmentation Techniques
Author(s) :
Capra, Olivier [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Berthaut, Florent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Grisoni, Laurent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Berthaut, Florent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Grisoni, Laurent [Auteur]
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Institut de Recherche sur les Composants logiciels et matériels pour l'Information et la Communication Avancée - UAR 3380 [IRCICA]
Conference title :
NIME 2020 - The 20th International Conference of New Interfaces for Musical Expression
City :
Royal Birmingham Conservatoire
Country :
Royaume-Uni
Start date of the conference :
2020-07-21
English keyword(s) :
Audience experience
Augmentation techniques
Taxonomy
Performing arts
Augmentation techniques
Taxonomy
Performing arts
HAL domain(s) :
Informatique [cs]/Interface homme-machine [cs.HC]
Sciences cognitives/Informatique
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Sciences cognitives/Informatique
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
English abstract : [en]
In the context of artistic performances, the complexity and diversity of digital interfaces may impair the spectator experience , in particular hiding the engagement and virtuosity of the performers. Artists and researchers ...
Show more >In the context of artistic performances, the complexity and diversity of digital interfaces may impair the spectator experience , in particular hiding the engagement and virtuosity of the performers. Artists and researchers have made attempts at solving this by augmenting performances with additional information provided through visual, haptic or sonic modalities. However, the proposed techniques have not yet been formalized and we believe a clarification of their many aspects is necessary for future research. In this paper, we propose a taxonomy for what we define as Spectator Experience Augmentation Techniques (SEATs). We use it to analyse existing techniques and we demonstrate how it can serve as a basis for the exploration of novel ones.Show less >
Show more >In the context of artistic performances, the complexity and diversity of digital interfaces may impair the spectator experience , in particular hiding the engagement and virtuosity of the performers. Artists and researchers have made attempts at solving this by augmenting performances with additional information provided through visual, haptic or sonic modalities. However, the proposed techniques have not yet been formalized and we believe a clarification of their many aspects is necessary for future research. In this paper, we propose a taxonomy for what we define as Spectator Experience Augmentation Techniques (SEATs). We use it to analyse existing techniques and we demonstrate how it can serve as a basis for the exploration of novel ones.Show less >
Language :
Anglais
Peer reviewed article :
Oui
Audience :
Internationale
Popular science :
Non
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