Titre :

Amores picti et scriptae puellae chez Properce et Ovide : questions d’esthétique et regards sur la λεπτότης callimachéenne

Auteur(s) :

Klein, Florence [Auteur]
Histoire, Archéologie et Littérature des Mondes Anciens - UMR 8164 [HALMA]

Éditeur(s) ou directeur(s) scientifique(s) :

Evelyne Prioux et Agnès Rouveret

Titre de l’ouvrage :

Métamorphoses du Regard Ancien

Lieu de publication :

Paris

Date de publication :

2010

Mot(s)-clé(s) :

Properce
Ovide
Callimaque
ecphrasis
art visuel
leptotès
élégie
Pygmalion
Adonis

Discipline(s) HAL :

Sciences de l'Homme et Société/Etudes classiques

Résumé en anglais : [en]

In El. II, 12 Propertius draws a parallel between two ecphraseis. The commentary of a painting representing Love is followed by a brief picture of the mistress’ beauty, which is a metaphor for elegiac poetics: a metapoetic ...
Lire la suite >In El. II, 12 Propertius draws a parallel between two ecphraseis. The commentary of a painting representing Love is followed by a brief picture of the mistress’ beauty, which is a metaphor for elegiac poetics: a metapoetic statement emerges from aesthetical theory. This article’s aim is to read two Ovidian ecphraseis from Met. X in connection with this Propertian model: the descriptions of the child Adonis, compared to the Amores picti, and of the ivory girl loved by the artist Pygmalion, just as the Propertian scripta puella is created by her lover’s art. I will show how the intertextual dialogue at play allows Ovid to challenge his predecessor’s views on aesthetical issues and literary heritage.Lire moins >

Langue :

Français

Audience :

Internationale

Vulgarisation :

Non

Collections :

• Histoire Archéologie Littératures des Mondes Anciens (HALMA) - UMR 8164

Source :

Harvested from HAL