MCMA: A Symbolic Multitrack Contrapuntal ...
Document type :
Article dans une revue scientifique: Article original
DOI :
Title :
MCMA: A Symbolic Multitrack Contrapuntal Music Archive
Author(s) :
Aljanaki, Anna [Auteur]
University of Tartu
Kalonaris, Stefano [Auteur]
RIKEN Center for Advanced Intelligence Project [Tokyo] [RIKEN AIP]
Micchi, Gianluca [Auteur]
Modélisation, Information et Systèmes - UR UPJV 4290 [MIS]
Algomus
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Nichols, Eric [Auteur]
University of Tartu
Kalonaris, Stefano [Auteur]
RIKEN Center for Advanced Intelligence Project [Tokyo] [RIKEN AIP]
Micchi, Gianluca [Auteur]
Modélisation, Information et Systèmes - UR UPJV 4290 [MIS]
Algomus
Centre de Recherche en Informatique, Signal et Automatique de Lille - UMR 9189 [CRIStAL]
Nichols, Eric [Auteur]
Journal title :
Empirical Musicology review
Pages :
99-105
Publisher :
Ohio State University Libraries
Publication date :
2021
ISSN :
1559-5749
English keyword(s) :
counterpoint
polyphony
computational musicology
neural machine translation
symbolic music
polyphony
computational musicology
neural machine translation
symbolic music
HAL domain(s) :
Sciences de l'Homme et Société/Musique, musicologie et arts de la scène
Informatique [cs]/Son [cs.SD]
Informatique [cs]/Son [cs.SD]
English abstract : [en]
We present Multitrack Contrapuntal Music Archive (MCMA, available at https://mcma.readthedocs.io), a symbolic dataset of pieces specifically curated to comprise, for any given polyphonic work, independent voices. So far, ...
Show more >We present Multitrack Contrapuntal Music Archive (MCMA, available at https://mcma.readthedocs.io), a symbolic dataset of pieces specifically curated to comprise, for any given polyphonic work, independent voices. So far, MCMA consists only of pieces from the Baroque repertoire but we aim to extend it to other contrapuntal music. MCMA is FAIR-compliant and it is geared towards musicological tasks such as (computational) analysis or education, as it brings to the fore contrapuntal interactions by explicit and independent representation. Furthermore, it affords for a more apt usage of recent advances in the field of natural language processing (e.g., neural machine translation). For example, MCMA can be particularly useful in the context of language based machine learning models for music generation. Despite its current modest size, we believe MCMA to be an important addition to online contrapuntal music databases, and we thus open it to contributions from the wider community, in the hope that MCMA can continue to grow beyond our efforts. In this article, we provide the rationale for this corpus, suggest possible use cases, offer an overview of the compiling process (data sourcing and processing), and present a brief statistical analysis of the corpus at the time of writing. Finally, future work that we endeavor to undertake is discussed.Show less >
Show more >We present Multitrack Contrapuntal Music Archive (MCMA, available at https://mcma.readthedocs.io), a symbolic dataset of pieces specifically curated to comprise, for any given polyphonic work, independent voices. So far, MCMA consists only of pieces from the Baroque repertoire but we aim to extend it to other contrapuntal music. MCMA is FAIR-compliant and it is geared towards musicological tasks such as (computational) analysis or education, as it brings to the fore contrapuntal interactions by explicit and independent representation. Furthermore, it affords for a more apt usage of recent advances in the field of natural language processing (e.g., neural machine translation). For example, MCMA can be particularly useful in the context of language based machine learning models for music generation. Despite its current modest size, we believe MCMA to be an important addition to online contrapuntal music databases, and we thus open it to contributions from the wider community, in the hope that MCMA can continue to grow beyond our efforts. In this article, we provide the rationale for this corpus, suggest possible use cases, offer an overview of the compiling process (data sourcing and processing), and present a brief statistical analysis of the corpus at the time of writing. Finally, future work that we endeavor to undertake is discussed.Show less >
Language :
Anglais
Peer reviewed article :
Oui
Audience :
Internationale
Popular science :
Non
Collections :
Source :
Files
- https://emusicology.org/article/download/7637/6266
- Open access
- Access the document
- 6266
- Open access
- Access the document