TOWARDS A SEMANTICS FOR THE ARTIFACTUAL ...
Document type :
Compte-rendu et recension critique d'ouvrage
Title :
TOWARDS A SEMANTICS FOR THE ARTIFACTUAL THEORY OF FICTION AND BEYOND
Author(s) :
Fontaine, M [Auteur]
Savoirs, Textes, Langage (STL) - UMR 8163 [STL]
Rahman, Shahid [Auteur]
Savoirs, Textes, Langage (STL) - UMR 8163 [STL]
Savoirs, Textes, Langage (STL) - UMR 8163 [STL]
Rahman, Shahid [Auteur]

Savoirs, Textes, Langage (STL) - UMR 8163 [STL]
Journal title :
Synthese
Publisher :
Springer Verlag (Germany)
Publication date :
2014
ISSN :
0039-7857
English keyword(s) :
artifactual theory
ontological dependence
fiction
non-existence
ontological dependence
fiction
non-existence
HAL domain(s) :
Sciences de l'Homme et Société/Philosophie
Sciences de l'Homme et Société/Linguistique
Sciences de l'Homme et Société/Littératures
Sciences de l'Homme et Société/Linguistique
Sciences de l'Homme et Société/Littératures
English abstract : [en]
In her book Fiction and Metaphysics [1999] Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred ...
Show more >In her book Fiction and Metaphysics [1999] Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson's realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson's approach relies heavily on the notion of ontological dependence, but its precise semantics has not yet been developed. Moreover, the modal approach to the notion of ontological dependence underlying the Artifactual Theory has recently been contested by several scholars. The main aims of this paper are (i) to develop a semantic approach to the notion of ontological dependence in the context of the Artifactual Theory of fiction, and in so doing bridge a number of philosophical and logical gaps; (ii) to generalize Thomasson's categorial theory of ontological dependence by reconstructing ontological categories of entities purely in terms of different structures of ontological dependence, rather than in terms of the basic kinds of entities the categorical entities depend on.Show less >
Show more >In her book Fiction and Metaphysics [1999] Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson's realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson's approach relies heavily on the notion of ontological dependence, but its precise semantics has not yet been developed. Moreover, the modal approach to the notion of ontological dependence underlying the Artifactual Theory has recently been contested by several scholars. The main aims of this paper are (i) to develop a semantic approach to the notion of ontological dependence in the context of the Artifactual Theory of fiction, and in so doing bridge a number of philosophical and logical gaps; (ii) to generalize Thomasson's categorial theory of ontological dependence by reconstructing ontological categories of entities purely in terms of different structures of ontological dependence, rather than in terms of the basic kinds of entities the categorical entities depend on.Show less >
Language :
Anglais
Popular science :
Non
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