New Media / Old Matters: Documentaries, ...
Document type :
Article dans une revue scientifique: Article original
Permalink :
Title :
New Media / Old Matters: Documentaries, Capitalism, and Virtual Spaces
Author(s) :
Journal title :
Spectator. The University of South California Journal of Film and Television Criticism
Abbreviated title :
Spectator
Volume number :
44
Issue number :
Neoliberalism and/in/as Media (Jelena B. Ćulibrk, editor)
Pages :
p. 30-39.
Publisher :
University of Southern California, USA
Publication date :
2024
ISSN :
1051-0230
HAL domain(s) :
Sciences de l'Homme et Société/Art et histoire de l'art
English abstract : [en]
This paper considers several documentaries' exploration of virtual spaces in relation to Henri Lefebvre's "political economy of space". Although Lefebvre did not show a thorough concern for the cinematic image and did not ...
Show more >This paper considers several documentaries' exploration of virtual spaces in relation to Henri Lefebvre's "political economy of space". Although Lefebvre did not show a thorough concern for the cinematic image and did not take part in the academic debates of media studies, his philosophy on the production of space is relevant for understanding the actual and critical interest some documentaries accord to the virtual and digital treatment of space. Indeed, Lefebvre calls for a "critique of space" and invites us to uncover the abstract formants of space within capitalism; he then demonstrates how, over time, at least since the early nineteenth century, an instrumental space prevails over the practical and perceived one. By looking closer at several digital film and how they engage with the virtual spaces concealed basic functions and forms, I argue that they share elements of proximity with Lefebvre's philosophy. To do so does not mean to subsume any film to one's philosophy but to grasp in different ways the critical significance of cinema regarding the capital phenomenon; in between new media and apparently old critical matters, this paper argues that the film features the capacity to reveal the more persistent aspects of capitalism.Show less >
Show more >This paper considers several documentaries' exploration of virtual spaces in relation to Henri Lefebvre's "political economy of space". Although Lefebvre did not show a thorough concern for the cinematic image and did not take part in the academic debates of media studies, his philosophy on the production of space is relevant for understanding the actual and critical interest some documentaries accord to the virtual and digital treatment of space. Indeed, Lefebvre calls for a "critique of space" and invites us to uncover the abstract formants of space within capitalism; he then demonstrates how, over time, at least since the early nineteenth century, an instrumental space prevails over the practical and perceived one. By looking closer at several digital film and how they engage with the virtual spaces concealed basic functions and forms, I argue that they share elements of proximity with Lefebvre's philosophy. To do so does not mean to subsume any film to one's philosophy but to grasp in different ways the critical significance of cinema regarding the capital phenomenon; in between new media and apparently old critical matters, this paper argues that the film features the capacity to reveal the more persistent aspects of capitalism.Show less >
Language :
Anglais
Peer reviewed article :
Non
Audience :
Internationale
Popular science :
Non
Administrative institution(s) :
Université de Lille
Collections :
Submission date :
2024-06-21T14:27:58Z
2024-06-27T06:40:45Z
2024-07-05T08:59:03Z
2024-06-27T06:40:45Z
2024-07-05T08:59:03Z
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