Armenian frescoes and sacred objects of ...
Type de document :
Autre communication scientifique (congrès sans actes - poster - séminaire...)
URL permanente :
Titre :
Armenian frescoes and sacred objects of art between the 17th and 19th centuries
Auteur(s) :
Laporte-Eftekharian, Sarah [Auteur]
Titre de la manifestation scientifique :
The Armenian-Belarusian historical-cultural relations. Tradition and modernity
Ville :
Minsk
Pays :
Biélorussie
Date de début de la manifestation scientifique :
2015-05-21
Mot(s)-clé(s) :
Gonfalon
Mitre
Michelangelo
M de Vos
Mitre
Michelangelo
M de Vos
Mot(s)-clé(s) en anglais :
Armenian art
Religious painting
Western patterns
17th century
18th century
Altar cross
Saint Gayane monastery
Veronese
Religious painting
Western patterns
17th century
18th century
Altar cross
Saint Gayane monastery
Veronese
Discipline(s) HAL :
Sciences de l'Homme et Société/Art et histoire de l'art
Résumé en anglais : [en]
Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the ...
Lire la suite >Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the help of some concrete examples from various artistic sources, the author describes the development of narrative contents in religious paintings in the New Julfa community and the dissemination of a renewed aesthetic expression towards the Armenian Diaspora in different countries.Lire moins >
Lire la suite >Despite of their deep attachment to the traditional standards still in use for the representation of Christian figures, the Armenian artists take up progressively Western patterns in the 17th and 18th centuries. With the help of some concrete examples from various artistic sources, the author describes the development of narrative contents in religious paintings in the New Julfa community and the dissemination of a renewed aesthetic expression towards the Armenian Diaspora in different countries.Lire moins >
Langue :
Anglais
Audience :
Internationale
Vulgarisation :
Non
Établissement(s) :
Université de Lille
CNRS
CNRS
Date de dépôt :
2019-02-13T08:01:39Z