Espaces sacrés, figures profanes - De la ...
Type de document :
Communication dans un congrès avec actes
URL permanente :
Titre :
Espaces sacrés, figures profanes - De la Bible illustrée au portrait d’apparat à la Nouvelle-Djoulfa
Titre traduit :
Sacred space, secular figures – From the illustrated Bible to formal portrait in New Jolfa
Священное пространство и светские фигуры в Новой Джульфе – От иллюстрированной Библии до парадного портрета
Священное пространство и светские фигуры в Новой Джульфе – От иллюстрированной Библии до парадного портрета
Auteur(s) :
Laporte-Eftekharian, Sarah [Auteur]
Titre de la manifestation scientifique :
Armenian Diaspora and Armenian-Russian Relations: Past and Present
Organisateur(s) de la manifestation scientifique :
Faculty of History of Lomonosov, Moscow State University
Ville :
Moscou
Pays :
Russie
Date de début de la manifestation scientifique :
2016-09-14
Mot(s)-clé(s) :
Noah's ark
Avedik
Petros Velidjian
Peinture arménienne
Nouvelle-Djoulfa
Gravures flamandes
Peinture religieuse
Portrait d'apparat
Arche de Noé
Avedik
Petros Velidjian
Peinture arménienne
Nouvelle-Djoulfa
Gravures flamandes
Peinture religieuse
Portrait d'apparat
Arche de Noé
Mot(s)-clé(s) en anglais :
Armenian painting
New-Djulfa
Flemish prints
Religious painting
Formal portrait
New-Djulfa
Flemish prints
Religious painting
Formal portrait
Discipline(s) HAL :
Sciences de l'Homme et Société/Art et histoire de l'art
Résumé en anglais : [en]
Based on representative examples of interferences between sacred space and secular world in the pictorial representations in New Jolfa (Isfahan), the paper intends to highlight the beginnings of a secularization process ...
Lire la suite >Based on representative examples of interferences between sacred space and secular world in the pictorial representations in New Jolfa (Isfahan), the paper intends to highlight the beginnings of a secularization process that will allow the emergence of a renewed Armenian art in the course of the 18th century. The proposed examples include a variety of cases, from the intrusion of laymen in sacred spaces to the reuse of heavenly figures extracted from the religious context for which they were initially designed in a visual composition aimed at glorifying a temporal authority.Lire moins >
Lire la suite >Based on representative examples of interferences between sacred space and secular world in the pictorial representations in New Jolfa (Isfahan), the paper intends to highlight the beginnings of a secularization process that will allow the emergence of a renewed Armenian art in the course of the 18th century. The proposed examples include a variety of cases, from the intrusion of laymen in sacred spaces to the reuse of heavenly figures extracted from the religious context for which they were initially designed in a visual composition aimed at glorifying a temporal authority.Lire moins >
Langue :
Français
Audience :
Internationale
Vulgarisation :
Non
Établissement(s) :
Université de Lille
CNRS
CNRS
Date de dépôt :
2019-02-13T08:04:15Z